I consider myself a maker and craftsman. I aim to reach a point of understanding materials through the process of making from a systematic approach. The act of labour and simplicity of repetition is the core of my practice which evidences the work; a dialogue between myself and the pieces I make, the studio and what I choose to display. I reveal the conversation I have with myself as a craft practitioner, a visual language of form and function, materiality and value, practice and patience, light and shadow.

A Homage to Nonna’s House II. 2025. Ceramics, Jesmonite, Sterling silver. Collect. Somerset House

A Homage to Nonna’s House II is a collection of works that honours the memories of my grandparents home; a thoughtfully curated space filled with mid-century Danish furniture, beautiful handmade ceramics, amongst the art and silver jewellery made by my grandfather, Nonno. Everything they owned was used, loved and cherished, each holding its own story and having a dedicated place. Inviting curiosity whilst encouraging interaction and an appreciation for beautiful objects; Nonna would serve homemade ice cream in Lucy Rie bowls to her daughters whilst a Bernard Leach fruit bowl lived on the dinner table. Through this body of work, I aim to recreate the essence of Nonna’s house capturing the harmonious and thoughtful collection of items they curated throughout their lives, invoking a playfulness that questions the function of familiar objects, blending them into new forms and providing a space to create new narratives.

A Homage to Nonna’s House. 2024. Ceramics, Jesmonite, Sterling silver. Collect. Somerset House

‘A Homage to Nonna’s House’ is a nostalgic and surreal installation of works inspired by the aesthetics of my grandparents’ house and the memories made there. Designed by Nonna and Nonno and built in the 60’s, the house was filled with mid-century furniture, ceramics, amongst the paintings, sculptures and silver jewellery made by my grandfather, Nonno. It encouraged curiosity and was a playground for us as kids, full of tactile objects, toys and games. It was where the root for my passion to become an artist came from, my admiration for art and design and to live with beautiful objects in a carefully curated home just as they did.

Ring for Matilde 1969. 2023. Mild Steel, Cast Glass, Stoneware, Sterling Silver, B&W Film Negative, Plaster. Public Showcase. Royal College of Art

‘Ring for Matilde 1969’ is a personal piece and a homage to my Nonna, my grandmother Matilde. The title comes from a handwritten note in a photo album of the jewellery my grandfather, Nonno, used to make for the family. Nonno had a curiosity for learning; he was a doctor, a mechanic, a painter, a sculptor, a photographer and a jeweller. This work is a reflection of my own exploration of materials and practices. A coalescence of my inspiration, my craftsmanship and all that I owe to my family, capturing the essence of Nonna’s house that only exists as a memory for those who knew of it.

The Other Side, 2023

Relics from the Future, 2021

Fresh, British Ceramics Biennial, The Goods Yard, Stoke-on-Trent

Tableware, 2019 - 2022